Author: Terry Southern
Publisher: Open Road Media
A darkly hilarious, wildly erotic satire of Hollywood King B., the world’s most admired filmmaker—winner of a string of Oscars and awards from Cannes to Venice—takes on a new project: the most expensive, star-studded, high-quality, X-rated film ever made. He joins forces with producer Sid Krassman, who’s made a fortune with B movies, and Angela Sterling, a misunderstood sex symbol who longs to do “serious” work. After convincing the principality of Liechtenstein to host the production in exchange for a distribution exclusive to boost tourism, King B. and Krassman arrive with cast and crew to make The Faces of Love. While keeping the nature of the film secret from American bankers, King B. lines up a host of European and American big-name stars. But word leaks out to the local religious groups and possibly even the Vatican. Between the Cardinal’s attempts to sabotage production and the big egos and even bigger libidos behind the scenes, the enterprise plummets into hilarious anarchy. Blue Movie is comic eroticism at its best—populated by over-the-top characters, memorable dialogue, and perverse vignettes, and colored by razor-sharp insights into the film industry. This ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate.
The Blue and Brown Books
Author: Ludwig Wittgenstein
Publisher: Harper Collins
These works, as the sub-title makes clear, are unfinished sketches for Philosophical Investigations, possibly the most important and influential philosophical work of modern times. The 'Blue Book' is a set of notes dictated to Witgenstein's Cambridge students in 1933-1934: the 'Brown Book' was a draft for what eventually became the growth of the first part of Philosophical Investigations. This book reveals the germination and growth of the ideas which found their final expression in Witgenstein's later work. It is indispensable therefore to students of Witgenstein's thought and to all those who wish to study at first-hand the mental processes of a thinker who fundamentally changed the course of modern philosophy.
Stars in Blue
Author: James E. Wise, Anne Collier Rehill
Publisher: Naval Institute Press
Profiles celebrities who served in one of the sea services, including Henry Fonda, Humphrey Bogart, Paul Newman, and Gene Kelley.
The World is Blue
Author: Sylvia A. Earle
Publisher: National Geographic Books
Traces the oceanic changes that have taken place in the last half-century and why they are posing a global catastrophe, in a cautionary photographic report that conveys the author's impassioned call for responsible and renewable strategies to safeguard the planet's natural systems.
Author: Maggie Nelson
Publisher: Wave Books
Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.
Left alone on a beautiful but isolated island off the coast of California, a young Indian girl spends eighteen years, not only merely surviving through her enormous courage and self-reliance, but also finding a measure of happiness in her solitary life.
If one street in America can claim to be the most infamous, it is surely 42nd Street. Between Seventh and Eighth Avenues, 42nd Street was once known for its peep shows, street corner hustlers and movie houses. Over the last two decades the notion of safety-from safe sex and safe neighborhoods, to safe cities and safe relationships-has overcome 42nd Street, giving rise to a Disney store, a children's theater, and large, neon-lit cafes. 42nd Street has, in effect, become a family tourist attraction for visitors from Berlin, Tokyo, Westchester, and New Jersey's suburbs. Samuel R. Delany sees a disappearance not only of the old Times Square, but of the complex social relationships that developed there: the points of contact between people of different classes and races in a public space. In Times Square Red, Times Square Blue, Delany tackles the question of why public restrooms, peepshows, and tree-filled parks are necessary to a city's physical and psychological landscape. He argues that starting in 1985, New York City criminalized peep shows and sex movie houses to clear the way for the rebuilding of Times Square. Delany's critique reveals how Times Square is being "renovated" behind the scrim of public safety while the stage is occupied by gentrification. Times Square Red, Times Square Blue paints a portrait of a society dismantling the institutions that promote communication between classes, and disguising its fears of cross-class contact as "family values." Unless we overcome our fears and claim our "community of contact," it is a picture that will be replayed in cities across America.
Author: Lois Lowry
Publisher: Houghton Mifflin Harcourt
Lois Lowry once again creates a mysterious but plausible future world. It is a society ruled by savagery and deceit that shuns and discards the weak. Left orphaned and physically flawed, young Kira faces a frightening, uncertain future. Blessed with an almost magical talent that keeps her alive, she struggles with ever broadening responsibilities in her quest for truth, discovering things that will change her life forever. As she did in THE GIVER, Lowry challenges readers to imagine what our world could become, how people could evolve, and what could be considered valuable. Every reader will be taken by Kira’s plight and will long ponder her haunting world and the hope for the future.
Blue Like Jazz
Author: Donald Miller
Publisher: Thomas Nelson Inc
A popular minister recounts his zealous early life pursuit of the Christian life and his experiences of emptiness and spiritual detachment, tracing his quest to connect with a God he perceived as distant.
A lmost a quarter of a century ago a new dictionary bearing the name American Heritage appeared. That book was notable because it did four things and it did them well. It faithfully recorded the language in easily understood definitions. It provided guidance toward accuracy, precision, and grace in the use of English that intelligent people need and seek in a dictionary. It traced, whenever possible, the development of English words to their origins and keyed many to an Appendix of Indo-European Roots. And it presented complex lexical data in a typographically attractive design accented by thousands of photographs and line drawings in spacious margins. The American Heritage Dictionary of the English Language, Third Edition , builds upon this distinguished, innovative foundation. The pages of the Third Edition, a lexicon of more than 200,000 boldface forms, hundreds of thousands of meanings, and nearly 4,000 pieces of art, reflect the rich and varied texture of American English as it has been used over time by a broad group of educated speakers. This Dictionary is the product of four years of work by 175 contributors. In preparing the Dictionary, our editors have had access to a database containing hundreds of millions of lines of text that could be searched for any word in context. The A-Z vocabulary, containing more than 16,000 words and meanings new to this Edition, is a comprehensive, detailed record of the language. Use of citations allowed the editors to identify new words and new meanings, identify levels of usage, and select more than 4,000 quoted illustrations from nearly 2,000 sources for use in exemplifying entry words in printed context. The quoted illustrations range from the works of Shakespeare, Pope, and Ruskin to the works of contemporary writers such as Joyce Carol Oates, Joan Didion, John Updike, and Tom Wicker. More than 30,000 nonquoted illustrative examples were also derived from study of the citations. Finally, the citations were used to determine the status of variants. For example, 4,000 electronic citations were accrued for the spelling ambiance and about 2,000 were found for the variant ambience . On the basis of this 2:1 ratio the Dictionary gives ambience as an "unequal," or less frequently occurring, variant of the entry word ambiance . If language is a reflection of the ethos of the generation speaking it, then the new entries and meanings in this Edition have much to say about us and our time. The great majority of the new words relate to social and life patterns; to the life sciences with an emphasis on health, medicine, genetics, and ecology; and to the physical sciences with an emphasis on computer technology and electronics, physics, and astronomy. The goal of the Third Edition is to provide the user with comprehension and appreciation of the language in a readable manner. Keeping the needs of the contemporary user in mind, we have presented the central and often the most frequently sought meaning of a word first. The definitions are worded in concise, lucid prose without the specialized terms and abbreviations that make most dictionaries forbidding and confusing. The Third Edition contains more than 500 notes and comments on matters of grammar, diction, pronunciation, and levels and nuances of usage. Citations were used in identifying new and evolving usage problems, attesting and evaluating the currency of certain usages, studying various levels of usage, and evaluating their sociolinguistic implications. The 173-member Usage Panel, with 75 new members and chaired by Geoffrey Nunberg, a linguist associated with Stanford University, has made an important contribution to the content and direction of the Usage Notes through responses to periodic surveys developed by the Chair and the editors. The Usage Panel of the Third Edition consists chiefly of writers, editors, and scholars, 22 of whom are professors of linguistics or English. Other Panelists occupy distinguished positions in law, diplomacy, government, business, science and technology, medicine, and the arts. Eighteen are recipients of the Pulitzer Prize and one is a Nobel Laureate. These men and women, who reside in 28 states across the land and in Canada and England, are a cross section of today's critical, literary, and scholarly community. A list of usage issues—old and new—was prepared by the Chair and the editors, and from it the usage program for the Third Edition was developed. Some of the usage issues are entirely new. An example is the Note at world-class . Other issues discussed in previous editions were resurveyed. An example is the use of contact as a verb. In some instances the Panel's views are more conservative than in the past: only 27 percent of the current Panel accepts hopefully as a sentence adverb, a usage that in 1969 was acceptable to 44 percent of the Panel. Other Notes, such as the one that discusses the use of above as a noun, present guidance and linguistic analysis without Panel opinions. The Usage Notes are not confined solely to matters of stylistic excellence. Our concern with usage extends to issues of gender, ethnicity, and sexual preference. Considerable attention is devoted in this Edition to the history of words. The etymologies have been thoroughly revised and expanded by a group of 25 specialists whose work reflects original scholarly research in many fields, including African, Persian, Turkish, and Native American languages. Special symbols, abbreviations, and complex technical vocabulary have been avoided in the etymologies. More than 400 word history paragraphs, most of which contain dates of first occurrence of the words in English, appear at entries with especially interesting etymologies. These word histories, such as the one at nerd , provide a social, historical, and cultural context for the evolution of words and explain the various linguistic processes that contribute to the development of language. A great many Modern English words can be traced to the reconstructed ancestral language called Proto-Indo-European. The etymologies in the Third Edition, like those in the First, trace many words to their earliest ascertainable origins, usually in Proto-Indo-European, by means of cross-references to a new and thoroughly revised Appendix of Indo-European Roots. The Appendix, in a major departure from previous style, gives the root followed by a brief gloss and a list of some of the Modern English words derived from it. The individual roots entry then follows. For example, the Modern English words fierce , and treacle , at first glance strange semantic companions, both derive from the root *ghwer- , "wild." The Third Edition contains hundreds of labeled words and meanings whose occurrence is restricted to certain areas of the United States. An important new feature unique to the Third Edition is the inclusion of more than 100 Regional Notes that explore the various linguistic and historical processes contributing to the development of these terms. These processes are apparent in the Regional Notes at entries such as absquatulate . In an effort to assist the reader in using the language with color, vitality, and freshness, the Third Edition devotes more attention than ever before to synonymy by including more than 900 synonym paragraphs. The fully cross-referenced synonym paragraphs are of two kinds. The first, liberally illustrated with quotations, discriminates shades of meaning. The second kind lists exact synonyms, that is, words sharing a common irreducible element of meaning, and provides antonyms when applicable. The American Heritage Dictionary of the English Language, Third Edition , like the First, is the product of significant advances in the use of computer technology. The Third Edition is derived from a complex, highly versatile structured database. Every element in the Dictionary was parsed, examined, and coded to reflect its lexical function and position within the base. In combination, these elements form dictionary entries, and on a broader scale they reflect a multitude of relationships across the lexicon. Use of the database in connection with electronically generated citations places the Third Edition a generation ahead of other dictionaries. It is no longer possible for a few general editors working strictly within a publishing house to compile a true and accurate record of the language as it is used today. Semantic, etymological, linguistic, and technical complexities inherent in the language require the counsel of specialists from many disciplines. These specialists' names are listed under Special Contributors and Consultants. We wish to thank all of them for helping us in our pursuit of accuracy and truth. Special thanks go to John Simpson, Co-Editor of the New Oxford English Dictionary , for valuable comments made during the early stages of the project. And to all members of the Editorial Staff who gave unstintingly of their time and expended great effort in the development of the Third Edition, we express our deepest gratitude. Anne H. Soukhanov
A New York Times bestseller The original graphic novel adapted into the film Blue Is the Warmest Color, winner of the Palme d'Or at the 2013 Cannes Film Festival In this tender, bittersweet, full-color graphic novel, a young woman named Clementine discovers herself and the elusive magic of love when she meets a confident blue-haired girl named Emma: a lesbian love story for the ages that bristles with the energy of youth and rebellion and the eternal light of desire. First published in France by Glénat, the book has won several awards, including the Audience Prize at the Angoulême International Comics Festival, Europe's largest. The live-action, French-language film version of the book, entitled Blue Is the Warmest Color, won the Palme d'Or at the Cannes Film Festival in May 2013. Directed by director Abdellatif Kechiche and starring Lea Seydoux and Adele Exarchopoulos, the film generated both wide praise and controversy. It will be released in the US through Sundance Selects/IFC Films. Julie Maroh is an author and illustrator originally from northern France. "Julie Maroh, who was just 19 when she started the comic, manages to convey the excitement, terror, and obsession of young love—and to show how wildly teenagers swing from one extreme emotion to the next ... Ultimately, Blue Is the Warmest Color is a sad story about loss and heartbreak, but while Emma and Clementine’s love lasts, it’s exhilarating and sustaining." —Slate.com "A beautiful, moving graphic novel." —Wall Street Journal "Blue Is the Warmest Color captures the entire life of a relationship in affecting and honest style." —Comics Worth Reading "Delicate linework conveys wordless longing in this graphic novel about a lesbian relationship." —New York Times Book Review (Editor's Choice) "A tragic yet beautifully wrought graphic novel." —Salon.com "Love is a beautiful punishment in Maroh’s paean to confusion, passion, and discovery ... An elegantly impassioned love story." —Publishers Weekly (STARRED REVIEW) "A lovely and wholehearted coming-out story ... the illustrations are infused with genuine, raw feeling. Wide-eyed Clementine wears every emotion on her sleeve, and teens will understand her journey perfectly." —Kirkus Reviews "The electric emotions of falling in love and the difficult process of self-acceptance will resonate with all readers ... Maroh’s use of color is deliberate enough to be eye-catching in a world of grey tones, with Emma’s bright blue hair capturing Clementine’s imagination, but is used sparingly enough that it supports and blends naturally with the story." —Library Journal (STARRED REVIEW) "It's not just the French who have a better handle on sexy material than Americans -- Canadians do, too ... Who's publishing it? Not an American publishing house but by Arsenal Pulp Press, a Canadian independent." —Los Angeles Times
All English-translated Chinese codes are available at: www.codeofchina.com
This newly updated and revised edition of the classic dictionary features hundreds of new words reflecting recent cultural, political, and technological changes; full pronunciation keys for both German and English entries; examples illustrating correct usage and meaning; and much more. Original.
Little Blue Truck
Author: Alice Schertle
Publisher: Houghton Mifflin Harcourt
"Neigh!" said a horse. "Quack!" said a duck. "Beep!" said the friendly Little Blue Truck. Little Blue Truck is a joyful cacophony of animal and truck sounds that will have youngsters beeping and quacking—and begging for one more go-round! Along the way, readers see that it pays to be kind to our animal friends . . . if we show a friendly respect to others, we’re more likely to get help when we’re, say, stuck in the muck in a truck. Jill McElmurry’s gouache illustrations of wild-eyed farm animals and country roads are warm and wonderful, suiting the cheerfully rhyming text to a T. Beep!