Pink Noises

Author: Tara Rodgers
Publisher: Duke University Press
ISBN: 0822394154
Size: 17.64 MB
Format: PDF, ePub, Mobi
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This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.


Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110465957
Size: 12.14 MB
Format: PDF, Mobi
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tradition of violent and militant terminology.51 Indeed, the mythical history of the
origins of electronic music is rooted in “Russolo's Futurist manifesto, The Art of
Noises (1913), a bold celebration of the sounds of machines, modern industry,
and war.”52 Additionally, after Futurism, the rise of electronic (i.e. noise music)
instruments has been directly connected to the military development of sound
and audio technologies. During the Cold War, electrons – and therefore also
electronic ...

The Cambridge Companion To Electronic Music

Author: Nick Collins
Publisher: Cambridge University Press
ISBN: 1107133556
Size: 27.33 MB
Format: PDF, Mobi
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Computer Music Journal 2(2): 61–2 (1996) The Computer Music Tutorial.
Cambridge, MA: MIT Press (2001) Microsound. Cambridge, MA: MIT Press (2005
) 'The Art of Articulation: the Electroacoustic Music of Horacio Vaggione,
Contemporary Music Review 24(4): 295–309 Rodgers, T. (2010) Pink Noises:
Women on Electronic Music and Sound. Durham, NC: Duke University Press
Rogalsky, M. R. (2006) 'Idea and Community: The Growth of David Tudor's
Rainforest, 1965–2006.

Loading The Silence Australian Sound Art In The Post Digital Age

Author: Linda Ioanna Kouvaras
Publisher: Routledge
ISBN: 131710384X
Size: 79.51 MB
Format: PDF, Kindle
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... electronic music'.32 With the rise of feminism, however, women innovators in
sound art (such as Pauline Oliveros and Meredith Monk) have been recognized –
even if, at the same time, they are often presented as being welcome or accepted
in the 'club' as 'honorary boys'. An album from 2000 compiled by Susan Lawley
was entitled Extreme Music From Women, to demonstrate that women also want
to participate in auricular intensity. When one of the contributors, Australian noise

Composing Electronic Music

Author: Curtis Roads
Publisher: Oxford University Press
ISBN: 0199911401
Size: 16.99 MB
Format: PDF, ePub
View: 3577
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2013. “An interface for projection of multichannel spatial geometries live in
concert.” Unpublished manuscript. Robair, G. 2008. “Vinyl mastering.” Electronic
Musician 24(3): 54–59. Roberts, C. 2012. Personal communication. Roederer, J.
1975. Introduction to the Physics and Psychophysics of Music. Second edition.
New York: Springer-Verlag. Rodgers, Tara, ed. 2010. “Introduction.” Pink Noises:
Women on Electronic Music and Sound. Durham, NC: Duke University Press. pp.

The Sound Studies Reader

Author: Jonathan Sterne
Publisher: Routledge
ISBN: 0415771307
Size: 49.73 MB
Format: PDF, Docs
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25 Pinch and Bijsterveld, “New Keys to the World of Sound,” 10 (ms); Bull and
Back, “Introduction: Into Sound,” 1–4. 26 Dyson, Sounding New Media:
Immersion and Embodiment in the Arts and Culture, e.g., 27, 77, 114. 27 Friedner
and Helmreich, “When Deaf Studies meets Sound Studies,” 7 (ms). 28 Erlmann,
Reason and Resonance:A History ofModernAurality, 17–18. 29 Rodgers, Pink
Noises: Women on Electronic Music and Sound, 6; see also McCartney, “Gender,
Genre and ...

Music Sound And Space

Author: Georgina Born
Publisher: Cambridge University Press
ISBN: 0521764246
Size: 15.84 MB
Format: PDF, ePub
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Robertson, E., Pickering, M. and Korczynski, M. 2008 “'And spinning so with
voices meet, like nightingales they sung full sweet”: Unravelling representations
of singing in pre-industrial textile production', Cultural and Social History, 5, 11—
32 Rodgers, T. 2010 Pink Noises: Women on Electronic Music and Sound,
Durham, NC: Duke University Press Rogers, L. 2008 'Classical music in Second
Life', Bread and Roses: Music, Art, Politics and the Intersections Between Them
in Real and ...