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Cello Practice, Cello Performance

Cello Practice, Cello Performance

Author: Miranda Wilson
Publisher: Rowman & Littlefield
ISBN: 1442246782
Pages: 154
Year: 2015-05-27
What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists—college-bound high school students, undergraduate and graduate students, educators, and professional performers—and teaches them how to be their own best teachers.
New Directions in Cello Playing

New Directions in Cello Playing

Author: Victor Sazer
Publisher:
ISBN: 0944810039
Pages: 195
Year: 2003-01-01

The Art of Practicing

The Art of Practicing

Author: Madeline Bruser
Publisher: Three Rivers Press
ISBN: 0307833747
Pages: 288
Year: 2013-06-19
This landmark book enlightens amateur and professional musicians about a way of practicing that transforms a sometimes frustrating, monotonous, and overly strenuous labor into an exhilarating and rewarding experience. Acclaimed pianist and teacher Madeline Bruser combines physiological and meditative principles to help musicians release physical and mental tension and unleash their innate musical talent. She offers practical techniques for cultivating free and natural movement, a keen enjoyment of sounds and sensations, a clear and relaxed mind, and an open heart and she explains how to Prepare the body and mind to practice with ease Understand the effect of posture on flexibility and expressiveness Make efficient use of the hands and arms Employ listening techniques to improve coordination Increase the range of color and dynamics by using less effort Cultivate rhythmic vitality Perform with confidence, warmth, and freedom Photographs show essential points of posture and movement for a variety of instruments.
Playing the Cello, 1780–1930

Playing the Cello, 1780–1930

Author: George Kennaway
Publisher: Routledge
ISBN: 1317079817
Pages: 298
Year: 2016-04-22
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
A Modern Cellist's Manual: Technique, Approach and Musings

A Modern Cellist's Manual: Technique, Approach and Musings

Author: Emily Wright
Publisher: Lulu.com
ISBN: 0557242592
Pages: 54
Year: 2010-03-25
A very different sort of cello method, A Modern Cellist's Manual combines technical information and plenty of photographs with advice on approach. Topics addressed range from the basics of a painless bow grip to injury avoidance, working with a metronome, and tenor clef. Emily's tone and sense of humor lighten the mood of any practice session. A Modern Cellist's Manual is suitable for those taking private lessons as well as returning cellists looking to bolster rusty technique.
Cello Technique

Cello Technique

Author: Gerhard Mantel, Barbara Haimberger Thiem
Publisher: Indiana University Press
ISBN: 0253210054
Pages: 232
Year: 1995
An analysis of the physics and physiology involved in playing the cello. For performers, teachers, and mature students.
One Hundred Years of Violoncello

One Hundred Years of Violoncello

Author: Valerie Walden
Publisher: Cambridge University Press
ISBN: 0521607612
Pages: 328
Year: 2004-08-19
The first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music.
Cello, Bow and You

Cello, Bow and You

Author: Evangeline Benedetti
Publisher: Oxford University Press
ISBN: 0190497394
Pages: 256
Year: 2016-10-11
Written for the cellist looking for an approach that demystifies cello playing, Cello, Bow and You is an innovative text in the field of string pedagogy written by a 40+ year veteran of the New York Philharmonic Orchestra and certified teacher of the Alexander Technique. Author Evangeline Benedetti has a unique voice and approach, and invites cellists of all levels to explore, make discoveries and organically internalize technique. Benedetti's approach compliments the work that students do with their teachers by encouraging them to be more aware of themselves and responsive to internal and external guidance. Cello, Bow and You allows students and professionals access to Benedetti's vast performance and teaching experience. She has pioneered an approach to playing that is a synthesis of the cellist's musical thought, the knowledge of the dynamic properties of the instrument and bow, and the ability to move effectively according to the mechanics of the human body. The synergy of these elements leads to physically healthy playing and frees players to be musically expressive. Written in engaging, informal prose, the book is a must-read for cellists and cello teachers - beginning, intermediate, or professional.
Practice for Performance

Practice for Performance

Author: DANIEL MORGANSTERN
Publisher: Mel Bay Publications
ISBN: 160974229X
Pages: 40
Year: 2010-10-07
Practice for Performance provides a rare and intimate view into a very thoughtful and successful performer's personal toolkit. Set in the context of his own personal history of growth as a performer, cellist Daniel Morganstern (principal cellist for the Lyric Opera of Chicago and the American Ballet Theatre at the Metropolitan Opera House in New York) displays rare honesty in discussing the problems that faced him at various point of his career, and the ways to solve them. the discoveries sensibly unfold in a fascinating account of experiences with many notable artists whose comments and examples shaped the author's thinking. These ideas are not to be found in any other treatise on the subject of musical preparation. the examples in this book, both musical and non-musical, offer a foundation to help evoke instinctive musical responses in the mechanical processes of playing the cello, and have been advantageously applied to other instruments as well, including voice.
The Advancing Cellist's Handbook

The Advancing Cellist's Handbook

Author: Benjamin Whitcomb
Publisher: Author House
ISBN: 1467056685
Pages: 256
Year: 2010-08-10
“How I wish I could have read this book years ago! It would have saved many hours of practicing which often have had disappointing results for the time invested.” —Phyllis Young, Playing the String Game and The String Play The Advancing Cellists Handbook is a concise but thorough treatise on virtually every aspect of practicing and learning to play the cello. This book is primarily designed for intermediate cellists, which usually means ages 14 to 20, but which could be any age from 6 to 80. The purpose of this book is to provide you with much of the basic information that you need in order to become good at practicing the cello. This is the book for you if: · You want to learn how to improve rapidly as a cellist. · You don’t feel that you know how to practice. · You want to get a faster rate of advancement out of your available practice time. Table of Contents: Part I — Introduction Chapter 1 –Why You Need This Book Chapter 2 – The Psychology of Practicing Chapter 3 – Organizing Your Practice Time Part II — The Content of Practicing Chapter 4 – Helpful Practice Tools Chapter 5 – Daily Warm-up Routine Chapter 6 – Practice Techniques and Exercises Chapter 7 – Improving Intonation Chapter 8 – Marking Your Music Chapter 9 – Practicing Without Your Instrument Chapter 10 – Sample Practice Session Part III — Advancing Your Musical Training Chapter 11 – Fingerings and Bowings Chapter 12 – Bowing Styles Chapter 13 – Musical Styles Chapter 14 – Playing Musically Part IV — Practical Applications Chapter 15 – Examples from the Literature Chapter 16 – Troubleshooting Chapter 17 – Postlude Appendix 1 – The Cello Repertoire Appendix 2 – The Science of Intonation
Contemporary Cello Etudes

Contemporary Cello Etudes

Author: Mike Block
Publisher: Hal Leonard Corporation
ISBN: 1540021270
Pages: 120
Year: 2017-10-02
(Berklee Guide). Learn the contemporary techniques and practices of the modern cello. The collection is a vital exploration of 21st-century cello techniques that every contemporary cellist should know when playing music outside of the standard classical repertoire. By exploring techniques such as chopping, pizzicato, improvisation, chords, ornaments, modes, polyrhythmic playing, and more, you will be prepared to play in a variety of contexts, including folk, rock, funk, jazz, world music and accompanying yourself while singing. Compiled and edited by Mike Block, this volume of etudes contains pieces composed by: Ashley Bathgate * Mike Block * Stephen Braun * Rufus Cappadocia * Rushad Eggleston * Erik Friedlander * Eugene Friesen * Natalie Has * Giovanni Sollima * Mark Summer * Jacob Szekley * Matt Turner * Jeffrey Zeigler.
Cello Playing for Music Lovers

Cello Playing for Music Lovers

Author: Vera Mattlin Jiji
Publisher: Cello Playing for Music Love
ISBN: 1412095603
Pages: 212
Year: 2007
Cello Playing for Music Lovers provides beginners and intermediate students with an authoritative, step-by-step guide to learning to play the cello. Diliana Momtchilova, a graduate of Julliard, provides technical explanations and many photos. Gifted cellist Erik Friedlander plays the 116 musical figures discussed in the book on the accompanying play along CD. The book includes musical examples from folk, Broadway and classical traditions.Written from the student's viewpoint, it teaches all the required skills, including reading music, using the bow effectively, analyzing musical structures, The book starts from scratch with songs transcribed for beginners and advances gradually to 4th position Included are folk songs, hymns, Broadway standards like "Some Enchanted Evening," and classical selections like a Bach Prelude and Sarabande. Later sections explore some music theory and how to play in chamber music groups The author, a Ph.D. and experienced teacher, presents this fascinating material in small, logical steps. As cellist Aaron Minsky said, "Your idea that the cello can be enjoyed on a simple level even within a few weeks of study is very true. . . This book will bring the joys of cello playing to many people who would not have believed it possible." Playing the cello will give any music lover unparalleled satisfaction. If you always wished you could do it "in your next life," do it now.
Trills in the Bach Cello Suites

Trills in the Bach Cello Suites

Author: Jerome Carrington
Publisher: University of Oklahoma Press
ISBN: 0806185341
Pages: 216
Year: 2012-11-19
Offers performers, teachers and students new insights into ornamentation. An important new reference work that has earned praise from America’s leading Bach scholar and an impressive list of distinguished cellists. The Cello Suites of Johann Sebastian Bach contain some one hundred trills, many open to diverse execution and more than half sparking controversy among musicians. Now accomplished cellist Jerome Carrington brings together and examines historically informed interpretations of the trills and compares them with contemporary performance practice. Carrington collects and annotates every trill in the Cello Suites, examining each ornament individually to find the most historically accurate solution for its execution. For determining the form of each trill, he offers a method that includes analysis of harmonic structure. Because no autograph copy of the Cello Suites has survived, he undertakes a detailed study of the manuscript of the Lute Suite in G minor, which Bach adapted from Cello Suite No. 5, as a reference for correcting errors and verifying harmonic and rhythmic details. Bursting with new ideas, Trills in the Bach Cello Suites offers insight for performers and music theorists alike. It will aid in the interpretation of these classic works as it renews our appreciation for Bach’s genius.
A Cello Named Pablo

A Cello Named Pablo

Author: Marni Fogelson
Publisher:
ISBN: 0999253107
Pages:
Year: 1917-09

Topless Cellist

Topless Cellist

Author: Rothfuss, Joan
Publisher: MIT Press
ISBN: 026202750X
Pages: 464
Year: 2014-09-12
The first book to explore the extraordinary career of musician and performance artist Charlotte Moorman, whose work combined classical rigor, avant-garde experiment, and madcap daring.