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Il Mercante Di Reliquie E Altre Indagini Di Gordon Spada

Il Mercante Di Reliquie E Altre Indagini Di Gordon Spada

Author: Max Fiorelli
Publisher:
ISBN: 1527216292
Pages:
Year: 2017-12-14
Da Bruges a Firenze, passando per Napoli, ci sono omicidi irrisolti, misteri che devono essere svelati, abili macchinatori che meritano di essere smascherati. Gordon Spada non e un semplice mercante d'arte fiorentino, ma qualcosa di piu. E' un misantropo, un inguaribile esteta pieno di ossessioni che alla compagnia degli esseri umani preferisce di gran lunga quella dei dipinti e delle opere antiche. E' un amante dell'Arte e delle donne, e schiavo di entrambe. Suo malgrado si ritrova ad essere sempre l'uomo giusto, nel posto giusto, al momento giusto... e saranno solo la sua ironia e la sua profonda passione per il mistero a far tornare i conti. Una raccolta di racconti eleganti e frizzanti che non rinunciano alla tensione e alla suspense. Queste storie presentano al lettore l'ipnotica ed affascinate figura di Gordon Spada. A meta tra un commissario Maigret, un Robert Langdon e un raffinato Charlie Mortdecai, Spada e un personaggio che non si era ancora mai visto. Il mercante di reliquie e altre indagini di Gordon Spada segna l'esordio di una speciale ed avvincente serie di racconti che sono destinati a guadagnare un posto fisso nelle librerie degli amanti della letteratura gialla e d'avventura. Visita il nostro sito www.virgibooks.com
Il Marmo spirante

Il Marmo spirante

Author: Joris van Gastel
Publisher: Walter de Gruyter
ISBN: 3050062622
Pages: 332
Year: 2012-01-01
Die Bildhauer des römischen Barock, darunter Meister wie Gian Lorenzo Bernini, Alessandro Algardi und Giuliano Finelli, erreichten eine beispiellose Lebendigkeit ihrer Werke. Dem augenscheinlichen Leben widerspricht jedoch beharrlich die harte Materialität dieser Skulpturen. Weiches, bewegtes Fleisch, dramatische Bewegungen und flatternde Stoffe sind in hartem, leblosem Marmor gefangen. So fordert die Skulptur den Betrachter heraus und sorgt für Verwirrung oder auch Enttäuschung. Anhand zeitgenössischer Poesie und anderer Quellen, welche die Interaktion zwischen Betrachter und Skulptur reflektieren, untersucht diese Studie, wie Zeitgenossen mit diesem Doppelcharakter der Skulptur umgingen. Dabei werden auch Ansätze der modernen Psychologie miteinbezogen. Das Ergebnis ist ein neuer Zugang zu einigen der höchstgeschätzten Meisterwerke europäischer Kunst.
MoMoWo. Women. Architecture & Design Itineraries across Europe

MoMoWo. Women. Architecture & Design Itineraries across Europe

Author: Alain Bonnet, Ana María Fernández García, Marjan Groot, Simona Kermavnar, Franci Lazarini, Katarina Mohar, Maria Helena Souto, et al.
Publisher: Založba ZRC
ISBN: 9612549060
Pages: 231
Year: 2016-08-15
Arhitekturni vodič predstavlja izbrane projekte žensk na področju arhitekture in oblikovanja 20. in 21. stoletja. Obsega predstavitve dosežkov žensk v štirih evropskih mestih in dveh deželah: Barcelona, Lizbona, Pariz, Torino, Nizozemska in Slovenija. Vsak od teh je predstavljen z uvodnikom in tremi potmi, na koncu pa za vsako deželo sledi krajši zapis o eni od pionirk na področju arhitekture in oblikovanja. V vodiču je predstavljenih 125 objektov, poleg bogatih ilustracij pa nudi tudi osnovne informacije o dostopnosti izbrane lokacije. Kot strokovna brezplačna publikacija je izšel v okviru evropskega projekta »MoMoWo – Women's Creativity since the Modern Movement« in je dostopen tudi na domači strani projekta.
The Art of Deception

The Art of Deception

Author: Kevin D. Mitnick, William L. Simon
Publisher: John Wiley & Sons
ISBN: 076453839X
Pages: 368
Year: 2011-08-04
The world's most infamous hacker offers an insider's view of the low-tech threats to high-tech security Kevin Mitnick's exploits as a cyber-desperado and fugitive form one of the most exhaustive FBI manhunts in history and have spawned dozens of articles, books, films, and documentaries. Since his release from federal prison, in 1998, Mitnick has turned his life around and established himself as one of the most sought-after computer security experts worldwide. Now, in The Art of Deception, the world's most notorious hacker gives new meaning to the old adage, "It takes a thief to catch a thief." Focusing on the human factors involved with information security, Mitnick explains why all the firewalls and encryption protocols in the world will never be enough to stop a savvy grifter intent on rifling a corporate database or an irate employee determined to crash a system. With the help of many fascinating true stories of successful attacks on business and government, he illustrates just how susceptible even the most locked-down information systems are to a slick con artist impersonating an IRS agent. Narrating from the points of view of both the attacker and the victims, he explains why each attack was so successful and how it could have been prevented in an engaging and highly readable style reminiscent of a true-crime novel. And, perhaps most importantly, Mitnick offers advice for preventing these types of social engineering hacks through security protocols, training programs, and manuals that address the human element of security.
The Third Rome, 1922-43

The Third Rome, 1922-43

Author: Aristotle Kallis
Publisher: Springer
ISBN: 1137314036
Pages: 324
Year: 2014-07-29
What kind of city was the Fascist 'third Rome'? Imagined and real, rooted in the past and announcing a new, 'revolutionary' future, Fascist Rome was imagined both as the ideal city and as the sacred centre of a universal political religion. Kallis explores this through a journey across the sites, monuments, and buildings of the fascist capital.
The Tragedies of Vittorio Alfieri

The Tragedies of Vittorio Alfieri

Author: Vittorio Alfieri
Publisher:
ISBN:
Pages:
Year: 1876

Acta ad archaeologiam et artium historiam pertinentia

Acta ad archaeologiam et artium historiam pertinentia

Author: Institutum Romanum Norvegiae
Publisher:
ISBN:
Pages:
Year: 2008

The Pittas Collection

The Pittas Collection

Author: Stefano G. Casu
Publisher:
ISBN: 8874611501
Pages: 235
Year: 2011

John Talman

John Talman

Author: Cinzia Maria Sicca
Publisher: Studies in British Art
ISBN:
Pages: 330
Year: 2008
Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677–1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman’s acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman’s collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time.
Out of the Crystal Maze

Out of the Crystal Maze

Author: Lillian Hoddeson
Publisher: Oxford University Press on Demand
ISBN: 019505329X
Pages: 697
Year: 1992
This monumental work chronicles the emergence of solid-state physics which grew to maturity between 1920 and 1960.
Past-present

Past-present

Author: Irving Lavin
Publisher: Univ of California Press
ISBN: 0520068165
Pages: 374
Year: 1993
A fascinating exploration of art from the Renaissance to modern times by one of America's most distinguished art historians. Focusing on specific masterpieces like Michelangelo's David, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. "I am an inveterate source-monger. My work, i.e., the actual labor I expend in archives, libraries, museums, churches, etc., is mainly that of a prospector digging and sifting to find a rare and shiny nugget--a work of art, a significant text, an idea--sufficiently analogous and available to suggest it might actually have been pertinent to the matter at hand." Thus does Irving Lavin venture forth, and the treasures he finds are brought back to us in these seven essays. The past plays an explicit role in his explorations. In focusing on specific works such as Donatello's bronze pulpits in San Lorenzo, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. Also, he persuasively shows how art can portray human individuality within philosophical, religious, political, ideological, and cultural frameworks. Originally delivered as part of the Una's Lectures at the University of California, Berkeley, the essays show the richness of the artists' sources by tracing certain motifs and traditions back in time. Generously accompanied by photographs that illustrate Lavin's explorations, this is a work of importance to both art historians and lovers of art. A fascinating exploration of art from the Renaissance to modern times by one of America's most distinguished art historians. Focusing on specific masterpieces like Michelangelo's David, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. "I am an inveterate source-monger. My work, i.e., the actual labor I expend in archives, libraries, museums, churches, etc., is mainly that of a prospector digging and sifting to find a rare and shiny nugget--a work of art, a significant text, an idea--sufficiently analogous and available to suggest it might actually have been pertinent to the matter at hand." Thus does Irving Lavin venture forth, and the treasures he finds are brought back to us in these seven essays. The past plays an explicit role in his explorations. In focusing on specific works such as Donatello's bronze pulpits in San Lorenzo, Bernini's image of the Sun King, and Picasso's lithographs of bulls, Lavin addresses creations that seek to define the present expressly in terms of the past. Also, he persuasively shows how art can portray human individuality within philosophical, religious, political, ideological, and cultural frameworks. Originally delivered as part of the Una's Lectures at the University of California, Berkeley, the essays show the richness of the artists' sources by tracing certain motifs and traditions back in time. Generously accompanied by photographs that illustrate Lavin's explorations, this is a work of importance to both art historians and lovers of art.
The Life of Edmund Kean

The Life of Edmund Kean

Author: Barry Cornwall
Publisher:
ISBN:
Pages:
Year: 1835

A Night of Death

A Night of Death

Author: Marie Bregendahl
Publisher:
ISBN:
Pages: 182
Year: 1931

Bernini

Bernini

Author: Genevieve Warwick
Publisher:
ISBN: 0300187068
Pages: 308
Year: 2012
Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist's sculptural ensembles. Gian Lorenzo Bernini (1598–1680) was a sculptor, architect, and painter, but also a court scenographer, playwright, actor, and director. Bernini's work in theater served as a wellspring for his art's visual effects. Theater was the dominant cultural paradigm of the Baroque, manifest in the rise of opera and ballet, as well as increasingly magnificent scenographic technologies for the performed rituals of church and court. Bernini drew on a lexicon of theatrical effects, deploying light, movement, and a fusion of fictive and physical space to render new forms of artistic illusion in both his sculptural mise-en-scènes and his stage sets. The force of his art's illusionistic powers lay in a fiction of materials effected through medial exchanges between sculpture, painting, and architecture. This book opens up provocative new frameworks for the analysis of Baroque illusionism extending beyond Bernini to a reconsideration of 17th-century visual culture as a whole.
In the Age of Giorgione

In the Age of Giorgione

Author: Simone Facchinetti
Publisher:
ISBN: 1910350265
Pages: 176
Year: 2016-02-01
Venice in the early 16th century was Europe's undisputed capital of culture: home to some of the finest artists of the Italian Renaissance whose importance stretched far beyond the region. The first great painter to emerge was also the most mysterious. Little is known about Giorgio Barbarelli da Castelfranco, known as Giorgione (c. 1477-1510), and few works have been attributed to him with certainty, yet he painted what is considered the first landscape in Western art history and his influence was profoundly felt by contemporaries includ­ing Lorenzo Lotto, Palma il Vecchio, Sebastiano del Piombo, and Titian. This sumptuous volume brings together many of the works attributed to Giorgione, along with other masterpieces of the Venetian school, demonstrating the extraordinary richness of color and mood for which these artists were famed. Published to accompany a major exhibition, this book brings to life an extraordinary moment in art history.