Geometric patterns are perhaps the most recognizable visual expressions of Islamic art and architecture, magnificent in their beauty and awe-inspiring in their execution. Now, with the aid of this book, anyone can learn how to master this ancient art and create intricate patterns or re-create classic examples. An introduction guides the reader through the basics, and is followed by some of the best examples of geometric patterns from around the world, arranged into three levels of complexity, with careful, step-by-step instructions taking the reader through the stages of composition. The book also includes a CD-ROM, allowing you to experiment with Islamic geometric patterns on the computer.
Islamic geometric designs are admired worldwide for their beauty and marvellous intricacy, yet in truth they are seldom understood. Indeed, their complexity and artistry can seem almost beyond the powers of human ingenuity. In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains these complex designs in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries. Chapters are devoted to each of the main families of geometric design fourfold, fivefold and sixfold and to the complex combined patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings. Readers can follow the design processes by which these patterns were created and even learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair of compasses.
The main focus of this unique book is an in-depth examination of the polygonal technique; the primary method used by master artists of the past in creating Islamic geometric patterns. The author details the design methodology responsible for this all-but-lost art form and presents evidence for its use from the historical record, both of which are vital contributions to the understanding of this ornamental tradition. Additionally, the author examines the historical development of Islamic geometric patterns, the significance of geometric design within the broader context of Islamic ornament as a whole, the formative role that geometry plays throughout the Islamic ornamental arts (including calligraphy, the floral idiom, dome decoration, geometric patterns, and more), and the underexamined question of pattern classification. Featuring over 600 beautiful color images, Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Con struction is a valuable addition to the literature of Islamic art, architecture and geometric patterns. This book is ideal for students and scholars of geometry, the history of mathematics, and the history of Islamic art, architecture, and culture. In addition, artists, designers, craftspeople, and architects will all find this book an exceptionally informative and useful asset in their fields. Jay Bonner is an architectural ornamentalist and unaffiliated scholar of Islamic geometric design. He received his MDes from the Royal College of Art in London (1983). He has contributed ornamental designs for many international architectural projects, including the expansion of both the al-Masjid al-Haram (Grand Mosque) in Mecca, and the al-Masjid an Nawabi (Prophet’s Mosque) in Medina, as well the Tomb of Sheikh Hujwiri in Lahore, and the Ismaili Centre in London – to name but a few. He is committed to the revitalization of Islamic geometric design through the teaching of traditional methodological practices. To this end, in addition to publishing, Jay Bonner has lectured and taught design seminars at many universities and conferences in North America, Europe, North Africa and Asia.
... a major contribution to the world of science and of particular value to the documention of the culture of Islam. N Gedal ... a masterly account of the way in which art and science are combined into aesthetic beauty by the Islamic geometric designs and motifs which decorate much of the Eastern World. M Evans ... This book will allow readers to travel through time and space, from ancient ornaments to the most modern computer graphics patterns. C. Pickover Ever since the discovery of the existence of seventeen space groups in two dimensions by Fedorov in 1891, it has been speculated that all seventeen could be found in Islamic art. But it is in this book that this remarkable fact is for the first time detailed and analysed, with beautiful illustrations. Rarely is there such a thought-provoking blend of esthetics and geometry with abstraction. C N Yang Geometrical form. Here, mathematics combines with art and exhibits clearly its aesthetic appeal Islamic patterns provide a marvellous illustration of symmetry and Drs. Abas and Salman perform a useful service by taking this as their theme and blending it with ideas on computer graphics. Foreword by Michael Atiyah Abas and Salman have assembled a fascinating collection that combines art, history, culture, science, mathematics and philosophy. Their examples range from a 12th-century minaret in Uzbekistan via the Alhambra in Granada to modern computer graphics of Koranic calligraphy on dodecahedrons and tori. They conclude by speculating on the prospect of creating Islamic patterns in virtual reality, where 'a seeker after unity in science and art would be able to submerge himself or herself in exquisite Alhambras of the mind'.Judging by the evidence presented here, it would be an unforgettable experience. New Scien
Nearly 200 examples exhibit the wide range of Islamic art, including hexagon and octagon designs, combinations of stars and rosettes, and many variations on other geometric patterns.
A hugely enjoyable, brilliantly researched explanation of the basic principles of maths.
Learn how to draw seven geometric star patterns from around the Islamic world, using only a pencil, straight edge, and a pair of compasses. Patterns featured are from Baghdad, Fes, Cairo, Konya, Delhi and Damascus. Suitable for ages 9 and up. No calculations are necessary. The least complicated way of learning Islamic geometric design is to understand and use the same techniques that craftsmen in the Islamic world have used for centuries. These craftsmen were not mathematicians; they knew how to make things with their hands but they did not use measurements or calculate angles to make their compositions. Their tools were a pair of compasses, a ruler and a pencil. By drawing lines, circles and arcs they were able to make all their patterns and compositions. This is also how you will be able to draw these patterns.This book will teach you how to draw seven different star patterns. All the patterns in this book can be made without calculations and measurements. They can be made by hand or on a computer. All you need to be able to do is draw circles and lines. The tools you need if you are drawing by hand are a pair of compasses, a ruler and pencils. Each pattern is constructed in a step-by-step process.
Islamic Art and Architecture
Author: Tarek El-Bouri, Keith Critchlow, Salmá Samar Damlūji
Publisher: Garnet Pub Limited
Issam El-Said pinpoints the rules of composition that form the basis of the geometric concepts of Islamic art. He then shows how intricate patterns are based on these basic principles. Fully illustrated in three colors to show the development of the patterns, this book offers an insight into how craftsmen and designers in the Muslim world achieved monumental feats of artistic expression using the simplest of tools. Chapter I presents graphical analyses of numerous complex patterns, to reveal the numerical rationale behind them. In Chapter II, the author analyses the system of measure used in ancient Egypt, before the use of numbers for calculating measurements. He shows how measuring cords and a geometric method based on a grid-pattern originating from the circle were employed by master craftsmen in the design of Islamic art and architecture. The book offers an insight into how craftsmen and designers in the Muslim world have achieved monumental feats of artistic expression with harmony and precision, using the simplest of tools such as a ruler, a string and templates, together with a system of measure that is both simple and sophisticated.
The original inspiration for this book came from visits to the buildings of Moorish Spain, in particular those of Grenada, Cordoba and Seville. This striking introduction to Islamic design was followed by journeys to the traditional sites of the Middle East and North Africa and then finally to the newer mosques of Britain.Everywhere there was a wealth of pattern and inventiveness to marvel at. The sense of wonder increases still further when, on starting to draw the patterns, the simplicity of the grids from which they were developed is discovered.This book, with its combination of drawings and photographs will stimulate a thorough investigation and interest in the wonderful geometric patterns and buildings of Islam.
Author: Keith Critchlow
Author: Daud Sutton
Publisher: Wooden Books
Across the Islamic world, illuminating Korans from Morocco to Malaysia, and adorning mosques, mausoleums and palaces, are hidden some of the most exquisite geometrical devices ever conceived by man. In this excellent little book, geometer Daud Sutton unravels the mystery of Islamic patterns, explaining where they come from, how to draw them, and hinting at the Divine messages they encode. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.
Author: J. Bourgoin
Publisher: Courier Corporation
45 mønstre som kan anvendes ved design af tekstiler, tapeter, gulvbelægning etc.
A fresh take on adult coloring books, featuring the intricate patterns of Islamic design
Beautifully rendered from book illustrations, pottery, metalwork, carvings, and other sources, these 280 black-and-white designs include geometrics, florals, and animal and human figures in circular, hexagonal, rectangular, and other shapes.