Monograph by Chris Ware
Author: Chris Ware
Publisher: Rizzoli International Publications
Author: Chris Ware
Publisher: Random House
Jimmy Corriganhas rightly been hailed as the greatest comic/graphic novel ever to be published. It won theGuardianFirst Book Award 2001, the first graphic novel to win a major British literary prize. It is now available for the first time in paperback.
The creator of Jimmy Corrigan presents a collection of both new and previously published material featuring such colorful characters as Jimmy Corrigan, Rocket Sam, Quimby the mouse, the Super-man, Sparky the cat, Big Tex, and Rusty Brown, a young suburban Chicago outcast and toy collector. Teen.
Quimby the Mouse
Author: Chris Ware
Collects comic strips from the early 1990s organized around Quimby the mouse.
Author: Chris Ware
Presents an illustrated tale, told in various books and folded sheets, about the residents in a three-story Chicago apartment building, including a lonely single woman, a couple who are growing to despise each other, and an elderly landlady --
Author: Chris Ware
A new installment of the "Rusty Brown" cartoon series, originally published in the cartoonist's "Jimmy Corrigan" periodical, features seven individuals whose lives revolve around a universally despised child at a Nebraska private school. Teen.
Author: Véronique Vienne
Publisher: Laurence King Publishing
Chip Kidd is best known for his book jacket designs, which have been credited with spawning a revolution in the art of the book cover in the US. Master of the graphic non-sequitur, Kidd has designed covers for books by authors such as John Updike, Dean Koontz, Michael Crichton, Peter Carey and William Boyd that engage the reader's intelligence as well as imagination. This illustrated volume presents an appraisal of his oeuvre.
Author: Jean Braithwaite
Publisher: Univ. Press of Mississippi
Virtuoso Chris Ware (b. 1967) has achieved some noteworthy firsts for comics. The Guardian First Book Award for Jimmy Corrigan: The Smartest Kid on Earth was the first major UK literary prize awarded for a graphic novel. In 2002 Ware was the first cartoonist included in the Whitney Biennial. Like Art Spiegelman or Alison Bechdel, Ware thus stands out as an important crossover artist who has made the wider public aware of comics as literature. His regular New Yorker covers give him a central place in our national cultural conversation. Since the earliest issues of ACME Novelty Library in the 1990s, cartoonist peers have acclaimed Ware’s distinctive, meticulous visual style and technical innovations to the medium. Ware also remains a literary author of the highest caliber, spending many years to create thematically complex graphic masterworks such as Building Stories and the ongoing Rusty Brown. Editor Jean Braithwaite compiles interviews displaying both Ware’s erudition and his quirky self-deprecation. They span Ware’s career from 1993 to 2015, creating a time-lapse portrait of the artist as he matures. Several of the earliest talks are reprinted from zines now extremely difficult to locate. Braithwaite has selected the best broadcasts and podcasts featuring the interview-shy Ware for this volume, including new transcriptions. An interview with Marnie Ware from 2000 makes for a delightful change of pace, as she offers a generous, supremely lucid attitude toward her husband and his work. Candidly and humorously, she considers married life with a cartoonist in the house. Brand-new interviews with both Chris and Marnie Ware conclude the volume.
Author: Richard McGuire
From the author of the widely acclaimed graphic novel Here, awarded the 2016 Prix D'or for best graphic album at Angoulême, a new graphic work that celebrates another aspect of his incomparable genius. Sequential Drawings gathers together more than a decade of McGuire's witty and endlessly inventive spots—a veritable short-story collection—each drawing given its own spread, which, in turn, assures for the reader the experience of surprise and delight that the drawings unfailingly deliver. Richard McGuire's first series of "spot" drawings debuted in The New Yorker in February 2005 for the magazine's 80th anniversary issue. Spot drawings, scattered among the magazine's text, had been a long-running feature of The New Yorker, and over the years, many artists had contributed them. But McGuire was the first to conceive them as a sequence, and his drawings were something altogether new: deceptively simple images that imbued the series with movement and narrative, telling their own unexpected stories. (In a 3-7/8 x 5-7/8 trim size. With illustrations throughout and an introduction by Luc Sante) From the Hardcover edition.
Alternative-comics artist Ware reveals the impressive technical skills and thought processes behind his acclaimed graphic novels in a second collection of his sketchbook pages. The handsomely designed volume gathers hundreds of portraits, watercolors, unfinished comics pages, and other artwork. Life drawings with detailed shading display a radically different style from the simple line-work of Jimmy Corrigan (2000), Ware?s chef d?oeuvre (thus far), while still lifes and cityscapes show the mechanical precision of his comic strips. Cruel self-portraits and strips entitled?I Am Filled with Despair? and?Yesterday Was a Terrible Day? suggest that the harsh worldview of Ware?s graphic novels is more than a literary device for him. --Gordon Flagg (Booklist).
Author: Frank Santoro, Chris Ware
Publisher: Picture Box Incorporated
"Will, a young man stuck in the industrial Pittsburgh of way-back-when is rarin' to go--even if he's not sure exactly where to--until he learns that his former mentor/partner/best-friend, The Reverend Rudy, has been sighted in Montreal, and then he's off! Will's adventure leads across exotic lands and to an epiphany about life itself"--Cover p. 4.
Throughout his 25-year career, alternative cartoonist/screenwriter Daniel Clowes has always been ahead of artistic and cultural movements. In the late 1980s his groundbreaking comic book series Eightball defined indie culture with wit, venom, and even a little sympathy. With each successive graphic novel (Ghost World, David Boring, Ice Haven, Wilson, Mister Wonderful ), Clowes has been praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times–bestselling creator, compiled with his complete cooperation. It includes all of Clowes’s best-known illustrations as well as rare and previously unpublished work, all reproduced from the original art, and also includes essays by noted contributors such as designer Chip Kidd and cartoonist Chris Ware. Praise for The Art of Daniel Clowes: "Even if you're not an avid reader of [Clowes’s] books and strips (your loss), this volume will entice and entertain." —The Atlantic "The real selling point of Modern Cartoonist is the art . . . some of which [has] been little-seen even by die-hard Clowes fans." —A.V. Club “This excellent retrospective of his work from the late 1980s onward, edited by Alvin Buenaventura, showcases his visual gifts and always evolving style; his beautiful early stuff looks nothing like his beautiful later stuff.” —Newsday “A perfect introduction.” —NPR.org “One of the greatest cartoonists of the past several decades finally gets his due.” —The Washington Post
Author: Hillary Chute
Filled with beautiful full-color art, dynamic storytelling, and insightful analysis, Hillary Chute’s Why Comics? reveals what makes one of the most critically acclaimed and popular art forms unique and so appealing, and how it got that way. Over the past century, fans have elevated comics from the back pages of newspapers into one of our most celebrated forms of culture, from Fun Home, the Tony Award–winning musical based on Alison Bechdel’s groundbreaking graphic memoir, to the dozens of superhero films that are annual blockbusters worldwide. What is the essence of comics’ appeal? What does this art form do that others can’t? Whether you’ve read every comic you can get your hands on or you’re just starting your journey, Why Comics? has something for you. Author Hillary Chute chronicles comics culture, explaining underground comics (also known as “comix”) and graphic novels, analyzing their evolution, and offering fascinating portraits of the creative men and women behind them. Chute reveals why these works—a blend of concise words and striking visuals—are an extraordinarily powerful form of expression that stimulates us intellectually and emotionally. Focusing on ten major themes—disaster, superheroes, sex, the suburbs, cities, punk, illness and disability, girls, war, and queerness—Chute explains how comics gets its messages across more effectively than any other form. “Why Disaster?” explores how comics are uniquely suited to convey the scale and disorientation of calamity, from Art Spiegelman’s representation of the Holocaust and 9/11 to Keiji Nakazawa’s focus on Hiroshima. “Why the Suburbs?” examines how the work of Chris Ware and Charles Burns illustrates the quiet joys and struggles of suburban existence; and “Why Punk?” delves into how comics inspire and reflect the punk movement’s DIY aesthetics—giving birth to a democratic medium increasingly embraced by some of today’s most significant artists. Featuring full-color reproductions of more than one hundred essential pages and panels, including some famous but never-before-reprinted images from comics legends, Why Comics? is an indispensable guide that offers a deep understanding of this influential art form and its masters.
Author: Nick Drnaso
Publisher: Drawn and Quarterly
"When Sabrina disappears, an airman in the U.S. Air Force is drawn into a web of suppositions, wild theories, and outright lies. Sabrina depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. An indictment of our modern state, Drnaso contemplates the dangers of a fake news climate."--