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The Black Dancing Body

The Black Dancing Body

Author: B. Gottschild
Publisher: Springer
ISBN: 1137039000
Pages: 332
Year: 2016-04-30
What is the essence of black dance in America? To answer that question, Brenda Dixon Gottschild maps an unorthodox 'geography', the geography of the black dancing body, to show the central place black dance has in American culture. From the feet to the butt, to hair to skin/face, and beyond to the soul/spirit, Brenda Dixon Gottschild talks to some of the greatest choreographers of our day including Garth Fagan, Francesca Harper, Meredith Monk, Brenda Buffalino, Doug Elkins, Ralph Lemon, Fernando Bujones, Bill T. Jones, Trisha Brown, Jawole Zollar, Bebe Miller, Sean Curran and Shelly Washington to look at the evolution of black dance and it's importance to American culture. This is a groundbreaking piece of work by one of the foremost African-American dance critics of our day.
The Black Dancing Body

The Black Dancing Body

Author: Brenda Dixon Gottschild
Publisher: Palgrave Macmillan
ISBN: 1403971218
Pages: 352
Year: 2005-09-17
What is the essence of "black" dance in America, and what is the black dancing body? To answer these question, Brenda Dixon Gottschild charts an unorthodox history by mapping the geography of the black dancing body and showing its central place in our culture. From feet to buttocks, hair, skin, face and beyond to soul and spirit, the author explores the endeavors, ordeals and triumphs of this body with some of the major dancers and choreographers of our time--Fernando Bujones, Brenda Bufalino, Trisha Brown, Garth Fagan, Rennie Harris, Bill T. Jones, Ralph Lemon, Susanne Linke, Meredith Monk and a cadre of their esteemed colleagues. Since race and color are usually taboo subjects in the dance world, what the author finds out is sure to cause controversy and turn heads. Written by one of the foremost American dance critics of our day, The Black Dancing Body is a key to the ineffable rhythms and movement of dance in America.
The Black Dancing Body

The Black Dancing Body

Author: Brenda Dixon Gottschild
Publisher: Macmillan
ISBN: 0312240473
Pages: 332
Year: 2003
A history of African-American dance is presented from the perspectives of its top choreographers, including Garth Fagan, Francesca Harper, and Meredith Monk, who trace the evolution of black American dance while noting its cultural significance.
Waltzing in the Dark

Waltzing in the Dark

Author: NA NA, Brenda Dixon Gottschild
Publisher: Springer
ISBN: 0312299680
Pages: 270
Year: 2016-04-29
The career of Norton and Margot, a ballroom dance team whose work was thwarted by the racial tenets of the era, serves as the barometer of the times and acts as the tour guide on this excursion through the worlds of African American vaudeville, black and white America during the swing era, the European touring circuit, and pre-Civil Rights era racial etiquette.
Joan Myers Brown and the Audacious Hope of the Black Ballerina

Joan Myers Brown and the Audacious Hope of the Black Ballerina

Author: Brenda Dixon Gottschild
Publisher: Springer
ISBN: 1137512350
Pages: 341
Year: 2016-04-29
Founder of the Philadelphia Dance Company (PHILADANCO) and the Philadelphia School of Dance Arts, Joan Myers Brown's personal and professional histories reflect the hardships as well as the advances of African-Americans in the artistic and social developments of the second half of the twentieth and the early twenty-first centuries.
Critical Moves

Critical Moves

Author: Randy Martin
Publisher: Duke University Press
ISBN: 0822322196
Pages: 270
Year: 1998
A theoretical examination of the influence of political and social movements on the art of dance.
Steppin' on the Blues

Steppin' on the Blues

Author: Jacqui Malone
Publisher: University of Illinois Press
ISBN: 0252065085
Pages: 272
Year: 1996-01-01
Explores the meaning of dance and the interrelation of music, song, and dance in African American culture
Men who Dance

Men who Dance

Author: Michael Gard
Publisher: Peter Lang
ISBN: 0820472662
Pages: 236
Year: 2006
What kinds of men become theatrical dancers? Why do men do ballet? The worlds of Western theatrical dance, gender relations and sexuality intermingle and, overtime, produce different answers to these questions. Survey of the history of men in dance, as Nijinsky and Nureyev, and of subjects as masculinity and homosexuality.
Dancing Many Drums

Dancing Many Drums

Author: Thomas F. Defrantz
Publisher: Univ of Wisconsin Press
ISBN: 0299173135
Pages: 384
Year: 2002-04-01
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.
Jookin'

Jookin'

Author: Katrina Hazzard-Gordon
Publisher: Temple University Press
ISBN: 143990622X
Pages: 248
Year: 2010-07-02
The first analysis of the development of the jook and other dance arenas in African-American culture.
Digging the Africanist Presence in American Performance

Digging the Africanist Presence in American Performance

Author: Brenda Dixon Gottschild
Publisher: Praeger Publishers
ISBN: 027596373X
Pages: 224
Year: 1998-06
This ground-breaking work brings dance into current discussions of the African presence in American culture. Dixon Gottschild argues that the Africanist aesthetic has been invisibilized by the pervasive force of racism. This book provides evidence to correct and balance the record, investigating the Africanist presence as a conditioning factor in shaping American performance, onstage and in everyday life. She examines the Africanist presence in American dance forms particularly in George Balanchine's Americanized style of ballet, (post)modern dance, and blackface minstrelsy. Hip hop culture and rap are related to contemporary performance, showing how a disenfranchised culture affects the culture in power.
Worlding Dance

Worlding Dance

Author: S. Foster
Publisher: Springer
ISBN: 0230236847
Pages: 209
Year: 2009-06-10
What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This book endeavours to make new epistemological space for the analysis of the world's dance by offering a variety of new analytic approaches.
Black Fire

Black Fire

Author: Estrelda Alexander
Publisher: InterVarsity Press
ISBN: 083082586X
Pages: 406
Year: 2011-05-03
Estrelda Alexander recounts the story of African American Pentecostal origins and development. Whether you come from this tradition or you just want to learn more, this book will unfold all the dimensions of this important movement's history and contribution to the life of the church.
Babylon Girls

Babylon Girls

Author: Jayna Brown
Publisher: Duke University Press
ISBN: 0822390698
Pages: 354
Year: 2009-01-01
Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences. Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.
Moving Words

Moving Words

Author: Gay Morris
Publisher: Routledge
ISBN: 113480153X
Pages: 360
Year: 2005-06-28
Moving Words provides a direct line into the most pressing issues in contemporary dance scholarship, as well as insights into ways in which dance contributes to and creates culture. Instead of representing a single viewpoint, the essays in this volume reflect a range of perspectives and represent the debates swirling within dance. The contributors confront basic questions of definition and interpretation within dance studies, while at the same time examining broader issues, such as the body, gender, class, race, nationalism and cross-cultural exchange. Specific essays address such topics as the black male body in dance, gender and subversions in the dances of Mark Morris, race and nationalism in Martha Graham's 'American Document', and the history of oriental dance.